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NC potters bring ‘A New Tradition’ to FRANK

Daniel Johnston, one of the pottery artists working alongside Alex Matisse, Henri Matisse's grandson, stands in front of his artwork outside of FRANK museum.
Daniel Johnston, one of the pottery artists working alongside Alex Matisse, Henri Matisse's grandson, stands in front of his artwork outside of FRANK museum.

Five of North Carolina’s most premier potters are coming together at FRANK Gallery to bridge both old and traditional approaches with new and innovative ideas.

Starting today, legendary British potter Mark Hewitt and several of his former apprentices will be collectively showing their pottery for the first time in the exhibit “A New Tradition.”

“There’s a strong sense, a similar aesthetic if you will, with common themes where everyone has room to create,” Hewitt said. “All of us are doing interesting work, and it’s very rare for this kind of group identity to be present in the modern world.”

Since 1983, Hewitt has been crafting a unique style of pottery which mixes both classical European crafting techniques with many of the folk pottery traditions of North Carolina. He has trained a number of successful artists in this new style, from Daniel Johnston, a well-known potter in Seagrove, to Alex Matisse, the great-grandson of famous European painter Henri Matisse — both of whom have pottery featured in the coming exhibit.

Johnston’s personal focus on pottery is in its form and how the structure of what he crafts relates the art to those observing it.

Johnston apprenticed under Hewitt for four years, starting when he was 19. There he developed his own artistic voice and style, and became “the poster child” for the apprentice system, Hewitt said.

“He bought 10 acres of land as a 16-year-old, and he put a little shack up on it where he lived while he worked with me,” Hewitt said. “Daniel is extremely hard working and has a whole bunch of additional skill sets to complement his pottery.”

The other three artists featured in the exhibit — Joseph Sand, Matt Jones and Matisse — are all similar products of the apprenticeship system.

Matisse, who apprenticed under Hewitt for one year, is represented with a variety of pots and ceramics in the showcase. He said his work was an endeavor unto itself, and not about carrying on the artistic traditions of his great-grandfather, Henri Matisse.

“My main concern is making a beautiful object,” Matisse said. “I want people to see something that brings them comfort and some sort of meaning, but my real concern, at this point, is just making a beautiful object.”

The work on display at FRANK will be available for the public to buy, and the gallery members couldn’t be happier to be showcasing it.

“This is a special thing for the gallery,” said Gordon Jameson, FRANK board of directors’ head. “Pottery is a well-known art tradition in this area, and Mark Hewitt is one of our most famous area potters.”

Through their embrace and honoring of past techniques and creative implementation of their own artistic styles, Hewitt and his former apprentices have shown the interconnectedness between style and artist in their collective works.

“They’re timid and nervous to begin with,” Hewitt said. “But, as they begin to master the techniques, they start making preparations to develop their own markets, their own styles and their own lives.”

arts@dailytarheel.com

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