After years of experimenting in every aspect in theatre, Adam Versenyi decided to focus on informing rather than performing.
In PlayMakers Repertory Company’s “The Making of a King” — featuring Shakespeare’s “Henry IV” and “Henry V” in rotating repertory — Versenyi acts as the production’s dramaturg, teaching the actors and directors how to make Shakespeare’s words authentic in the 21st century.
“Each person’s path to becoming a dramaturg is different,” said Versenyi, who started acting at the age of 9. “I thought I was going to be a performer.”
But meager earnings and strong recommendations from peers pushed him toward dramaturgy.
“What I’m trying to do is help other people do their best work,” he said.
Versenyi researches the settings in which the plays were written and in which the plays take place. He gathers material to inspire the performance passionately and accurately.
“He is able to bring so much research into the room,” said Joseph Haj, co-director of the plays. “He would bring me book after book and article after article of material he thought I should know.”
Haj said Versenyi found information that highlighted the political and social structures of 15th-century England, when a civil war plagued the country.
“All that research is useful exactly to the degree that it ignites imagination,” Haj said.