URL: http://www.dailytarheel.com/index.php/blog/dive/2011/11/review_justice039s_audio_video_disco
Current Date: Thu, 24 May 2012 14:49:55 -0400
Justice
Audio, Video, Disco
Ed Banger Records/Because/Elektra, 2011
Justice has put out another album with inscrutable intentions. It seems they were not content leaving the world baffled as to how its oddly palatable combination of Iron Maiden and Larry Levan made “Waters of Nazareth” a breakout single. No, the musicverse of 2011 must now ask itself: how and why on earth would anyone create Audio, Video, Disco?
From vocal stylings more reminiscent of Gregorian chants than Top 40, to 21st century synth tones processed to sound like distorted guitars of the 20th, the record bears an overwhelming strangeness, stranding it in musical territory left uninhabited since Rock and Disco diverged in the late ‘70s.
It should come as little surprise that unsuspecting listeners and cognoscenti critics alike are confused as hell.
There’s really only one thing that’s certain about Audio, Video, Disco: somehow, you can dance to it.
Propulsive hi-hats and plasticky snares manage to maintain a kinetic vibe amid baroque harmonies voiced by oddly distorted synths on “Horsepower.”
“New Lands,” which could only have been inspired by hours spent listening to AC/DC and Black Sabbath records, keeps your torso improbably twisting to its stoic beat.Even “Canon,” Justice’s techno tribute to the guitar-shredding metalheads of the ‘80s, eeks out a booty shake or two from rapidly trilled arpeggios, washy cymbals and those omnipresent Bakelite snares.
Those familiar with Justice’s first LP — and its characteristically mysterious symbol-title, † — should expect a little less euro-techno, a little more guitar-rock and the standard weight of weird.
To the uninitiated, turn down your speakers — Justice mixes really loud — and let their unique brand of campy strangeness wash over you like the lukewarm beer that ruined your shirt at last year’s Led Zeppelin tribute-band concert.
All in all, Audio, Video, Disco is a worthwhile, if not often frustratingly ironic, listen from a group pushing the boundaries of modern dance music. May I only request that the children’s choir vocals from D.A.N.C.E. make a triumphantly saccharine return on their next record?
Diversions is a Thursday entertainment section focused on local artists. Includes movie and album reviews, columns, calendars and local entertainment news. Email story ideas or submit a correction.
For 4/19 through 4/25
Thursday
Drive-By Truckers, Megafaun at Cat’s Cradle, 8/9 p.m., $25/28
House of Fools, Jonas Sees in Color, Jack the Radio, Colourslide at Local 506, 8/8:30 p.m., $8/10
Fan Modine, Boykiller, Flesh Wounds at Tir na nOg, 10 p.m., free
The Hot at Nights at Casbah, 8/9 p.m, $7/10
Friday
Lost in the Trees, The Toddlers, Brice Randall Bickford at Cat’s Cradle, 8/8:30 p.m., $15
Eleanor Friedberger, Hospitality at Casbah, 8/9 p.m., $12/14
Chairlift, Nite Jewel, Bell at Local 506, 9/9:30 p.m., $10/12
Saturday
Schooner, Jaabs, Wesley Wolfe at The Pinhook, 9 p.m., $6
VIRGINS, TURCHI, The Major Sevens, Lee Anderson for Carolina Creates Music Senior Showcase at the Forest Theater, 5 p.m, free
Say Anything, Kevin Devine and The Goddamn Band, Fake Problems, Tallhart at Cat’s Cradle, 6:30/7:30 p.m., $17/20
Sunday
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Monday
The Apache Relay, Al Riggs & the Inconveniences at Local 506, 8:30/9 p.m., $9/11
Tuesday
Trampled by Turtles, William Elliott Whitmore at Cat’s Cradle, 7/8 p.m., $18/20
Scraping Teeth, Holly Hunt, Clang Quartet, Secret Boyfriend, Yohimbe at Nightlight, 9/9:30 p.m., $5
Wednesday
White Panda, Phive, Style&Complete at Cat’s Cradle, 8:30/9:30 p.m., $10/15
Quintron, Miss Pussycat, The Infamous Sugar at Kings, 9/9:30 p.m., $8/10
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