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As its waves crash on the shore, the ocean’s power is undeniable. It’s an entity that, as an apostrophe, can connote powerful sentiments ranging from serenity to bitterness.

Tapping into these extreme emotions is rudimentary for Future Islands, and on its new album, On the Water, the band has created jagged swells of sound that simultaneously crush and soothe the heart.

On the Water resembles a conch shell — listen closely and you’ll hear the ocean waves weave the fabric of the album. Between the emotionally charged vocals of Sam Herring, striking keys and gentle strings, delectable hooks guide the listener through what becomes a personal journey.

The album may open with the waves’ soft beating on the shore, but it is soon followed by simple tracks that crescendo into a typhoon of sensation.

“Balance” is by far the album’s most upbeat track. The ephemeral testament to patience and trust is set to jingly, saccharine sounds and quick beats, reminiscent of the fast summer nights that never seem to end.

A thriving example of Future Islands’ breed of infectious dance music, the song invites listeners to not only a physical, but emotional experience.

Sometimes things take a little too long to get started. The slow intro on “Close to None” drags things down, and when the song finally takes off, there isn’t enough time for a full development. Future Islands has no doubt developed a strikingly mature album, but in doing so, the band has moved away from the same high energy it often brings to the table.

Within the ebb and flow of the album, there’s no doubt that On the Water stings the heart with the sacrifices of love.

It’s a full-circle flow that will break and mend the heart again and again, ultimately drawing the listener back for more. While it’s true that Herring and company may still be slowly salting their own wounds, the album also proves there’s enough sweet nostalgia to ease the most aching of hearts.

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