In the 2016 timeline, Alcala portrays Javier, an undocumented teenage immigrant who has moved to Marah with his mother after his father’s deportation.
“It’s been a process for sure, trying to represent everyone to the best of our abilities — trying to give voices to those that don’t normally have a voice,” he said. “I’ve been given permission and a voice to enlighten those who may not have been aware of the struggles that go on with people that others may assume have ill intent.”
Approaching a story as politically involved as this comes with its obstacles. Vivienne Benesch, the director of the production, said that working on this play has fostered a great deal of openness.
“This was one of the most challenging, inspiring and vulnerable rehearsal processes I’ve ever been through in my 20-plus years of directing,” she said. “It scares me, and I love that.”
The play seeks to start a conversation about today's politics.
“I think that today, because we’re in a P.C. culture and because we like to quickly label something sexist or racist, it’s harder to have conversations because people don’t listen anymore,” said Alex Givens, who plays Seth in the 1933 timeline and Andre in the 2016 timeline. “I think that it would be great for the community to come out and have a dialogue.”
Givens’ characters also reveal a relationship between economics and education, which Benesch said resonates with society today.
“In 1933, the character Seth is going off to college and there’s this sense of hope and prosperity,” Benesch said. “In 2016, his character of Andre is working at a pork processing plant and kind of has a dead end feel.”
Alcala, Benesch, Givens and Wiley all said that one of the biggest challenges was to tackle the issues presented by this story because of their complexity and scope.
“The greatest obstacle is that there is still so much and so many issues to want and try and touch upon," Wiley said. "But at the same time create an entertaining dramatic piece without overstepping or losing grasp of a strong story to tell.”