383 items found for your search. If no results were found please broaden your search.
(02/05/20 1:43am)
Ryan Wilcox (left) sports editor of The Daily Tar Heel, swivels past a staffer at Duke's Chronicle during a scrimmage in Brodie Recreation Center on Duke's campus on Sunday, Jan. 26, 2020. The Daily Tar Heel beat the Chronicle three games to one.
(02/05/20 1:43am)
Ryan Wilcox (left) sports editor of The Daily Tar Heel, swivels past a staffer at Duke's Chronicle during a scrimmage in Brodie Recreation Center on Duke's campus on Sunday, Jan. 26, 2020. The Daily Tar Heel beat the Chronicle three games to one.
(02/05/20 1:43am)
Daily Tar Heel staffer Brian Keyes (left) attempts to seize the ball against a Chronicle staffer during a scrimmage in Brodie Recreation Center at Duke on Sunday, Jan. 26, 2020. The Daily Tar Heel beat the Chronicle three games to one.
(02/05/20 1:44am)
Daily Tar Heel staffer Matt Chilson attempts to maintain control of the ball against Chronicle defenders during a scrimmage in Brodie Recreation Center at Duke on Sunday, Jan. 26, 2020. The Daily Tar Heel beat the Chronicle three games to one.
(02/05/20 1:43am)
Daily Tar Heel staffer Matt Chilson (left) jumps as a Chronicle staffer looks on during a scrimmage at Brodie Recreation Center at Duke on Sunday, Jan. 26, 2020.
(02/03/20 1:35am)
Edit Board Headshot
(01/31/20 2:23am)
Matt Jednak, UNC's head fencing coach, poses for a portrait in his office on Friday, Jan. 24, 2020.
(01/31/20 2:23am)
Matt Jednak, UNC's head fencing coach, poses for a portrait in his office on Friday, Jan. 24, 2020. "If there was another fencing position in the country, I didn't care,” he said. “It was here. This was the only place I ever considered coming back to. This is home. This is where I learned, where I met my wife. This is it. This place is it," Jednak says.
(01/30/20 3:21am)
Chancellor Kevin Guskiewicz (center) and other campus leaders speak onstage in the Genome Sciences Building during the 2020 Summit on Safety and Belonging. The Summit addressed six key aspects of the campus climate, according to conversation and research: police behavior, sexual violence and danger, communications and Alert Carolina, physical safety, anti-racist activism and safety of marginalized communities.
(01/30/20 1:49am)
(From left) Cast members Tori Danielik, M Nottke, Taryn Edgerton, Jet Johnston, Tiffany Melenzio and director Hannah Fatool stand in position in their blackbox theater during a rehearsal of Company Carolina's "Army of Voices" in Swain Hall on Monday, Jan. 27, 2020. The production, presented on rotating repertoire with a staged reading of "The Clinic," features monologues from "people who aren’t cis men or people who have been oppressed on the basis of gender."
(01/30/20 1:49am)
Cast member Lauren Mobley performs onstage in Carolina Company's blackbox theater in Swain Hall on Monday, Jan. 27, 2020. The Company plans to perform "Army of Voices," featuring "people who aren’t cis men or people who have been oppressed on the basis of gender," on a rotating repertoire with "The Clinic."
(01/30/20 1:49am)
Cast member Jet Johnston rehearses onstage in Carolina Company's blackbox theater in Swain Hall on Monday, Jan. 27, 2020. The Company plans to perform "Army of Voices," featuring "people who aren’t cis men or people who have been oppressed on the basis of gender," on a rotating repertoire with "The Clinic."
(01/30/20 1:49am)
Cast member Frankie Lipscomb-Cobbs stands onstage in Carolina Company's blackbox theater in Swain Hall on Monday, Jan. 27, 2020. The Company plans to perform "Army of Voices," featuring "people who aren’t cis men or people who have been oppressed on the basis of gender," on a rotating repertoire with "The Clinic."
(01/30/20 1:49am)
Cast members Megan Smith (left) and Emily Dyckman (right) sit on boxes onstage in Carolina Company's blackbox theater in Swain Hall on Monday, Jan. 27, 2020. The Company plans to perform "Army of Voices," featuring "people who aren’t cis men or people who have been oppressed on the basis of gender," on a rotating repertoire with "The Clinic."
(01/30/20 1:49am)
Cast member Tori Danielik performs onstage in Carolina Company's blackbox theater in Swain Hall on Monday, Jan. 27, 2020. The Company plans to perform "An Army of Voices," featuring "people who aren’t cis men or people who have been oppressed on the basis of gender," on a rotating repertoire with "The Clinic."
(01/30/20 1:49am)
Cast member Tiffany Melenzio sits on a box onstage in Carolina Company's blackbox theater in Swain Hall on Monday, Jan. 27, 2020. The Company plans to perform "Army of Voices," featuring "people who aren’t cis men or people who have been oppressed on the basis of gender," on a rotating repertoire with "The Clinic."
(01/30/20 1:49am)
Director McKenna Gramzay prepares to a move a box from the closet in Carolina Company's blackbox theater in Swain Hall on Monday, Jan. 27, 2020. The Company plans to perform "An Army of Voices," featuring "people who aren’t cis men or people who have been oppressed on the basis of gender," on a rotating repertoire with "The Clinic."
(01/30/20 1:49am)
Director Hannah Fatool draws a diagram ahead of a rehearsal onstage in Carolina Company's blackbox theater in Swain Hall on Monday, Jan. 27, 2020. The Company plans to perform "An Army of Voices," featuring "people who aren’t cis men or people who have been oppressed on the basis of gender," on a rotating repertoire with "The Clinic."
(01/30/20 1:49am)
Director McKenna Gramzay stands in the light onstage ahead of a rehearsal in Carolina Company's blackbox theater in Swain Hall on Monday, Jan. 27, 2020. The Company plans to perform "Army of Voices," featuring "people who aren’t cis men or people who have been oppressed on the basis of gender," on a rotating repertoire with "The Clinic."
(01/30/20 1:49am)
Cast member M Nottke (right) performs onstage as other cast members look on in Carolina Company's blackbox theater in Swain Hall on Monday, Jan. 27, 2020. The Company plans to perform "Army of Voices," featuring "people who aren’t cis men or people who have been oppressed on the basis of gender," on a rotating repertoire with "The Clinic."