With drag queens and graffiti artists on the silver screen, Andy Warhol’s mischievous legacy continues to work its way into Chapel Hill.
In a rare showing of Warhol’s “Chelsea Girls,” one of the 20th century’s most controversial art films, the Ackland Art Museum and the Varsity Theatre aim to promote the artist’s media legacy while launching an ambitious new film partnership.
“Warhol on Film: 4 Snapshots” will feature Warhol films that the Ackland borrowed from the Modern Museum of Art.
“These four films not only offer glimpses into Warhol’s own complicated and extensive project of a wholesale reinvention of American cinema, they also have more general connections between pop art and U.S. culture at various points in time,” said Richard Cante, director of the interdisciplinary program in cinema at UNC and curator for this event.
The Warhol series is the beginning of the Art Now/Cinema Now project, a collaborative initiative between the Ackland and the University’s interdisciplinary program in cinema and screen arts, Cante said.
The screening of “Chelsea Girls” — a lengthy exploration of New York City’s drag queens and artists in the 1970s — will be run through two simultaneous projectors.
This double-projection method of outdated 16-mm film guarantees that no single viewing of the film will ever be the same, Cante said — something Warhol intended.
“Chelsea Girls” is the first of the four films in the series, which will end with Warhol’s eight-hour silent film “Empire” on Dec. 4.
Because the film is so long, the Ackland is hiring musicians of many different genres to perform during the screening at the Varsity said Emily Bowles, director of communications at the Ackland.