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The Daily Tar Heel

Sandler's Animated Foray Captures 'Crazy' Holiday Humor

Three Stars

What do a shirtless sushi restaurant manager who bangs his head on tables, a man who eats a fatter man's jock strap and a woman with three breasts nursing three babies have in common?

They're all from Adam Sandler's imagination.

"Adam Sandler's Eight Crazy Nights," caters to a specific younger crowd consisting of those who appreciate the off-kilter but reachable humor that Sandler so effortlessly achieves with quirky characters and absurd situations.

Incorporating dramatic, musical and comedic aspects, the realistic fable-cartoon is not nearly up to par with "Happy Gilmore" but is less hellish than "Little Nicky."

Although the same principles that made "Billy Madison" and "Gilmore" cult classics are in "Eight Crazy Nights," the cartoon form is a less satisfying medium for Sandler's genius. The movie is supposedly animated to avoid the limitations of live-action movies. However, its realistic base does not give much opportunity to take advantage of that freedom. Humor possibilities are lost due to limited facial expression and fantasy/reality dilemmas.

The story gets off to a slow start with an omniscient narrator (Rob Schneider) introducing Davey Stone, the town screw-up who is constantly inebriated. Throughout the movie Schneider's dopey voiceover relays plot information and cracks unnecessary bad jokes. The story undoubtedly could have been delivered more strongly in the first person.

Nothing engaging happens for at least 15 minutes, planting a seed of skepticism before the plot even commences.

When it finally does, Davey's delinquency is consummated in his arrest for an eat and run, and his infamous reputation earns him a 10-year sentence.

Just when the situation seems hopeless, Davey's guardian angel appears in the form of a 4-foot tall senior citizen named Whitey with a mind-numbing voice, mismatched feet and sporadic seizures. He pleads that Davey receive one more chance to prove his decency by assisting as a referee in a youth basketball league.

While Davey initially has a volatile reaction toward the kindness of the bizarre little man, his icy demeanor eventually melts to reveal a sensitive guy with a traumatic past. Though the reasoning behind Davey's Scrooge-like personality is believable, withholding it is both predictable and anti-climactic.

The final character metamorphosis comes about only with the encouragement of various store logos in the mall coming to life and strapping Davey to a chair until he allows himself to be a real man and cry. Much like the "Billy Madison" penguin, the imagined creatures succeed in being strangely hilarious and comforting.

Once Davey reconciles his inner struggle, two question remain: Will the townspeople be forgiving, and how will he show his gratitude to Whitey for the selfless dedication he displayed?

Sandler excels in character creation. Eleanor, Whitey, and Davey are all uniquely hilarious, lovable and hateable -- much like real people. The minor characters also are dealt with perfectly, being brought back at exactly the right moments in familiar yet surprising ways.

"Eight Crazy Nights" might not be Sandler's best work, but the characters do not disappoint.

The Arts & Entertainment Editor can be reached at artsdesk@unc.edu.

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