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The Daily Tar Heel

Dreis Drowns in Pretensions; Zumbido Combines Cultures

Tad Dreis
Solitaire for Two

Tad Dreis' sophomore attempt sounds like an alt-country response to The Beatles' Rubber Soul with its soothing guitars and earthy melodies.

The only problem with Solitaire for Two is Dreis sometimes falls into triteness that ends up sounding like The Beatles playing on Fisher-Price instruments and deriving their lyrical inspiration from J. Lo.

But it is important to recognize that there is clear talent in Dreis' music -- the album just sounds as if it were released prematurely. With a little more work, all the songs could have been given the same poppy playability as "Back in a Few" and "Bureau de Change," the album's only instantly appealing songs.

Unfortunately, a number of songs on Solitaire for Two have weak elements that foil their strengths. "I Said I," the album's opening track, is indicative of how Dreis' songwriting sometimes lacks cohesion.

The instrumentals found within are simplistic, taking advantage of beautifully upbeat acoustic strumming and minimal drumming. It's the type of music that saturates your car when you're driving around on sunny days with your windows down, somewhat like a sonic sunshine found in some Wilco song.

But where Jeff Tweedy creates abstract images that roam the listener's head, Dreis writes a Hallmark card about missing a lover.

When Dreis sings "I miss you, even though I'll see you soon," it seems like anyone who can string together "Roses are red/ Violets are blue" can be a singer-songwriter.

The same kind of juvenile lyrics ruin "Lottery of Love." Dreis statically compares a lottery to someone's attempts at love, lyrically killing a wandering guitar.

Sadly, the album's best songs are hidden between bad tracks. Even though everyone likes a good song, your smile's a little smaller after sifting through a pile of crap to find it.

The swooping melody of "Good for You" is infectious, but it follows "I Said I." The two songs' instrumentals are so similar that "Good for You's" first impression is shattered by its annoying twin.

"T-Shirt" is the album's best number with its seductively dirty-blues swagger. In the song, Dreis finally finds the grit and depression in his voice that was missing from the album.

If Dries would have found a bottle of whiskey in which to soak his vocals, he could have been able to save the lyrically weaker songs and -- ultimately -- the whole album.

By Kemp Baldwin

Radio Zumbido
Los Ultimos D

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