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The Daily Tar Heel

Music Review: Lost in the Trees

‘Empty House’ reveals a full sound

Although it has a suggestively cold and lonesome title, Lost In The Trees’ reissued sophomore release, “All Alone in an Empty House”, is anything but stark.

In fact, between the dense, classically influenced instrumentation and alluring vocals lies a focus and depth that’s a rarity in modern pop.

Chapel Hill native Ari Picker and his ever-changing band of musicians are back with a well-proportioned blend of string arrangements and folksy guitar picking, as well as two new tracks.

It’s a warm, layered sound the band has branded firmly as its own.

The speed and ease with which the band switches between quiet acoustic guitar and soaring violins is nothing short of breathtaking.

From the dark title track about burying dead children and hating a loved one’s soul to “Walk Around The Lake,” a film score with a cathedral-like chorus and heavy string section, Picker and company present a range of complex instrumentation without ever sounding overstuffed or chaotic.

The conservatory-trained frontman transitions effortlessly during the second half of the album. “Fireplace” marks a harder, rougher sound with its choppy electric guitar and potent, shouted vocals. It’s a different and equally effective side of a band that’s demonstrated its skill in manipulating softer, gentler melodies.

“A Room Where Your Paintings Hang,” one of the added tracks, features jangly guitar as the backbone for Picker’s orchestral arrangements.

Although classical music has a heavy influence on the album, it never shifts enough to alienate listeners who favor guitars over violins.

There are two string instrumentals, “Mvt. I Sketch” and “Mvt. II Sketch,” but if anything, they are a respite from the rest of the album’s densely layered songs.

It’s a sound that will likely garner the band comparisons to fellow orchestral pop contemporaries Arcade Fire, but where Arcade Fire’s lyrics and themes are often a focal point, Lost in the Trees’ sound outpaces its content.

The weakest link on “All Alone in an Empty House” is, in fact, Picker’s voice. More reedy than melodic, and thinner than you’d expect for a lead singer touting such a lush backdrop, his voice is less dimensional than the music that accompanies it.

Strong it may be, but it leaves a negative space that can’t match the full sound in its midst.

One could argue that it makes for an interesting contrast, but more likely than not you’ll end up wishing for a vocal arrangement that can match the rich instrumentation.

At the end of the day, there’s no denying that Lost In The Trees has created a genuinely beautiful, arresting album with something for both rock and classical aficionados.

The marriage of folk and orchestral elements may not be a commonplace mixture, but when a band makes it sound this good, it’s hard not to embrace this quirky union of unexpected, textured sounds.

Contact the Diversions Editor at dive@unc.edu.

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