West African musician Diali Cissokho recalls a time when, during a stint abroad, he and a friend went to play a show at a restaurant. After a while, Cissokho noticed a man in the audience listening to his songs and crying.
During a break, Cissokho approached the man and asked why he was crying. The man replied that he had a girlfriend who he loved very much, even though she was always stringing him along. He told Cissokho he heard him singing about love, and it made him cry. Yet Cissokho, who is Senagalese, was singing in his native Manding.
“This man couldn’t understand any of the words of my song, but from the sound of the music, the tone and the melody — from my body language and facial expressions, my language didn’t matter. He could hear my message in this song despite the language,” says Cissokho. “This is what I love about West African music.”
Audience members will get to experience a similar dissolution of cultural and language barriers Friday night during The Senegal Connection, an event celebrating the musical and cultural traditions of Senegal at the Nightlight.
The show will also feature Chapel Hill’s The Lizzy Ross Band and The Brand New Life, a band from Greensboro that creates world-music fusion.
With the recent addition of Mamadou Mbengue, a West African musician known for his skill on the talking drum, The Brand New Life has added Mbengue’s West African influences to the sound. Bassist Seth Barden of The Brand New Life is the principal coordinator for the event.
The event is also a showcase for the kora, the 21-stringed instrument that is sometimes described as a cross between a harp and a lute.
Cissokho has been playing the kora since he was six years old, and he says that while the kora has always had an important place in traditional celebrations, it has only recently found a place in Senagalese popular music.
In Senegal, Cissokho was born into a family of Manding griots, the musician caste. Mande society holds the griot to be a historian, advisor, praise-singer and storyteller. Cissokho says that these inherited traditions have been passed down from generation to generation and are said to have deep connections to spiritual, social and political powers.