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Musician behind Iron & Wine displays new visual work in Carrboro

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On Friday, warm orange lights showcased a fun new collection of prints, cardboard quilts and paintings, as the rain pounded outside the opening reception of Sam Beam’s “Recent Visual Works.” Despite the weather, Peel Gallery was packed for an evening of lively conversation and never-before-seen art from a well-known artist.


Sam Beam is the man behind indie-folk musician Iron & Wine. While many know him for his successful international music career — including his over four million Spotify listeners — fewer know about his background in the visual arts.

Beam has always had a multi-faceted love for creative expression, but he began leaning into visual arts recently, using painting, collaging and drawing as a way to alleviate the stress of touring. Many of his drawings were constructed in dressing rooms and hotels across the world, according to the gallery’s website.

Before starting his music career, he earned a bachelor’s degree in art from Virginia Commonwealth University and graduated from Florida State University College of Motion Picture Arts. Beam later taught film at the University of Miami and the Miami International University of Art & Design.

“I've thought very actively about an art career for a long time,” he said.

Beam's entrance into the professional music scene was unexpected, but since leaving teaching he has released nine studio albums, as well as many live albums, EPs and singles. He is a four-time Grammy nominee, including as a candidate for Best Americana Album and Best American Roots Performance in 2020 and Best Folk Album in 2019. 

“I love making music, and so I do it a lot,” Beam said. “But it also takes up a lot of time, so I think if I wasn't playing music, I would be making more art.” 

Throughout the years, Beam has continued to produce paintings and has even designed many of his own record covers. 


“Snake Dance” — a collection of 120 illustrations of two men dancing around with a snake — are displayed alongside one another in the exhibit.

“I like finding an image or a motif that I can repeat and see what comes of it,” he said.

Peel Gallery, which serves as an exhibition space, shop and a photo lab for contemporary art, digitized and made inkjet prints of Beam’s original snake drawings. Seeing them displayed all together was an exciting moment for Beam.

Beam said that drawing fluid lines and shapes has been meditative, allowing him to work with multiple mediums and materials that he enjoys. The artist described his approach to the visual and musical creative process as intuitive.


“I don’t really have an idea of what it’s going to be when I start, same as a song,” he said. “When I haven’t written anything down, I have nothing to say. You just sort of start humming nonsense and then you eventually start building words and they suggest other words. By the end, you have something that you've shaped out of nothing.”

Beam hopes to invest more time into projects like "Recent Visual Works" in the future while maintaining his music career. Peel Gallery will continue to manage the sales of Beam’s editioned works and hopes to have another show in the future featuring his unreleased cloud paintings.

“The trick is just figuring out how much music to make and how much art to make,” he said. "But it's a good problem to have."

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@dthlifestyle | lifestyle@dailytarheel.com