Tyler Perry’s “Good Deeds” is intended for one kind of audience: African-Americans. It fits the most profound — and perhaps offensive — stereotypes, from sassy attitudes to overdramatized superiority complexes.
“Good Deeds” follows the story of Wesley Deeds (Tyler Perry) and his work as a CEO. Troubled over the fact that his life is not where he pictured it would be, Wesley runs into Lindsey Wakefield (Thandie Newton) and discovers what it means to live life to its fullest. Yet, in all the excitement, Wesley is held back by his elegant fiancée and overbearing mother. Wesley is faced with the decision of letting himself live a free life or a life that has been planned for him since birth.
“Good Deeds” is the type of movie that attempts to explain life’s struggles, but is barely able to grasp the concept. This is the case with Brian White playing Walter Deeds, the alcoholic brother. His mediocre acting does not capture the full rage that engulfs an addict and fails as a foil.
Tyler Perry has excelled as an actor, writer and director. His career has been supported by the fans who see him as a hero and can relate to his admittedly one-dimensional characters.
Tyler Perry’s formula has come to exploit black stereotypes in his movies in exchange for cheap laughs. Lindsey promotes this in her sarcastic comments and tough mentality.
“Good Deeds” is no exception to the genre known as Tyler Perry. It exudes the same amount of over-exaggerated issues as its predecessors. “Good Deeds” preaches to the choir by letting its audience know that life isn’t fair no matter who you are. Amen.
-Jeremy Wile
Watch a trailer for “Good Deeds” here:
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