Office DJ: A genre-crossing Halloween
Halloween is my favorite holiday.
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Halloween is my favorite holiday.
Content warning: The text below contains mention of suicide.
A makeshift memorial was set up in the Pit on Monday as community members grieved after the events of the weekend. Passersby left notes of encouragement and flowers.
Content warning: This column contains brief mentions of drug abuse, sexual assault and murder.
The lights faded black. Christmas lights wrapped tightly around microphones and instruments provided the only illumination in the entire amphitheater. Thousands of fans in Dr. Martens and fishnets screamed with anticipation. A band of skeleton-garbed musicians walked onto stage, and a single guitar strum rang out.
Lindsey Buckingham returned on Friday with his first solo album since being fired from Fleetwood Mac in April 2018.
Genre-bending country musician Kacey Musgraves released her fourth studio album, “star-crossed” on Friday. Victorious, unguarded and content, the album is a walk through the end of a marriage – a cloudless, limitless desert of personal reflection.
The bend of a guitar string, the gentle fall of a fiddle bow and the twangy vibrato of a homegrown voice: country music is the language of rural America. Once the anthem of the working class, it has evolved into the calling card of conservative America.
Hyperpop sounds like an erratic banging of pots and pans on first listen, but the intense microgenre is inevitably the future of pop music.
Taylor Swift has sonically — and for many, literally — carried people my age from childhood to young adulthood.
More than 60,000 Twitter users — including myself — have followed @DidLorde in heavy anticipation for the queen of indie pop’s return. Since June 2019, the Twitter account has been dedicated to tweeting daily answers to the question: did Lorde release an album today?
In a bustling Franklin Street kitchen, a restaurant matriarch works alongside her staff to prepare innumerable dishes for the lunch rush.