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Monday November 29th

UNC Process Series's 13th season opens with performance about race and sexuality

A performance from UNC Department of Communication's Process Series. Photo courtesy of Kathy Perkins.
Buy Photos A performance from UNC Department of Communication's Process Series. Photo courtesy of Kathy Perkins.

In a time of unlearning systemic racism in a politically divided country, The UNC Process Series announced its 2020-21 season, titled "Remembrance and Renewal.

The program will include artistic performances and projects that reflect on the past to better the future. 

The fall program of virtual events, which is produced by the UNC Department of Communication, allows creatives to showcase their new artistic works in developments and to build a stronger connection with their audience through unique and new mediums. 

From conversations about sexuality and race using the work of James Baldwin to discussions about the unseen discrimination behind gerrymandering, the 13th season of the Process Series will continue to give a platform to traditionally unheard voices. 

“We represent a lot of different people from a lot of different communities. And a lot of this year, what we're looking at is how race is dealt with in our country,” producer Heather Tatreau said. 

In a press release sent out Aug. 25, artistic director Joseph Megel announced the fall season would be held through live streaming and interactive shows to overcome the performance challenges of the COVID-19 pandemic. 

At the end of each event, the artist can ask the audience questions to get feedback on their work in development. 

“(The series was created) to give students and faculty the chance to see how artists from different disciplines and cross-disciplines create new work,” Megel said. 

The series starts on Sept. 25 with “They Do Not Know Harlem: In Communion with James Baldwin,” a performance created, choreographed and performed by Tristan André Parks and directed by Kathy  Williams.

Parks uses excerpts from Baldwin’s works and translates them into performances of live theater and dance, with the accompaniment of live music that spans the genres of jazz to hip hop to blues. 

“The Fire Next Time,” “Giovanni’s Room” and “Notes of a Native Son” are just some of the mid-century essays and novels that Parks uses to honor Baldwin and share his work with new generations.

“James Baldwin gives weight to my voice to tell my own story,” Parks said. “We have to reckon with our culture now and move forward because the only way to survive is to move.” 

Parks' project is now facing the challenge of adapting to not only a pandemic, but a renewed phase of civil unrest and racial disparity.  

“We have to sit with ourselves during the global pandemic and really ask ourselves the questions around the idea of race, gender and the things that are sort of the byproducts of white supremacy,” Parks said.  

The project is set to premiere in the next season of PlayMakers Repertory Company.

“I'm using the virtual performance as an opportunity to sort of allow myself to release any expectation that this work has to be perfect,” Parks said. 

Megel said the series can be a way for creators to get audience feedback on their performances before debuting their final projects in person.

“We're an incubator in a way that audiences that are interested in seeing something in development can, for free, come and interact with the artist and see the development process,” Megel said.

@allen_gabi

arts@dailytarheel.com

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