Music Review: Johnny Staxx and the Durty Boyz
Johnny Staxx and the Durty Boyz’ debut album captures the raw sounds of a performance fit for a bar.
Use the fields below to perform an advanced search of The Daily Tar Heel's archives. This will return articles, images, and multimedia relevant to your query. You can also try a Basic search
7 items found for your search. If no results were found please broaden your search.
Johnny Staxx and the Durty Boyz’ debut album captures the raw sounds of a performance fit for a bar.
Living in Oklahoma isn’t exactly everyone’s idea of “cool.” Some might argue that mixing bass clarinet or bassoon with indie rock isn’t either. Other Lives proves precisely the contrary with its sophomore release, Tamer Animals.
There was a lot of positive energy at Chapel Hill’s Nightlight on Tuesday.
Acclaimed artists are often known to create a certain chronic style — a recognizable feeling or attitude that their work cultivates.
Some artists use continual shifts in musical technology to shatter the walls of musical convention, demanding attention for being “original.” Others, like Nashville’s Annie Williams, strive to use these advancements for flawless proportion in sound.
Brooklyn folk music sounds like an oxymoron. Alana Amram and the Rough Gems operate within this strange category, and sometimes it’s hard to figure out whether its style is phony or innovative. Snow Shadows: Songs of Vince Martin is a cover album of folk songs written by Martin in the ‘60s and ‘70s, and it leaves room for this debate.
Attention all daydreamers: Youth Lagoon is the new lo-fi kid on the block, and he’s about to take it by storm. As the season turns and the temperature drops, The Year of Hibernation is the perfect album to keep summer’s memory (whether it be good or bad) alive.