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Town and University team up to commemorate anniversary of slaves arriving in the US


The "Cash Crop!" exhibit at 109 E. Franklin Street opened Oct. 20, 2019 and it will close on Nov. 18, 2019.

UNC and the surrounding communities are set to recognize the anniversary of the year the first ship carrying enslaved Africans was brought to the U.S. in 1619 by hosting two art exhibits.

The Chapel Hill Public Library started hosting the Hampton History Museum’s traveling exhibit entitled "1619: Arrival of the First Africans" on Oct. 18. Susan Brown, director of the library and executive director for community arts and culture, said she was approached by people in the town about the anniversary.

“A few months ago as the sort of national recognition of 1619 started happening, the Town started thinking about what we might do locally,” Brown said. “Actually, I credit police chief Chris Blue who came to me and said, 'You manage libraries and community history and arts and culture for the Town. What are we going to do for 1619?'”

UNC's Sonja Haynes Stone Center for Black Culture and History is sponsoring the exhibit. 

"Cash Crop!," an art installation by Durham artist Stephen Hayes, opened in downtown Chapel Hill on Oct. 20. The piece is composed of 15 life-sized sculptures of enslaved Africans in shackles and chained to shipping pallets, and it is located at 109 East Franklin St. 

“It struck me of the humanity of the figures,” Brown said. "It really gets you to think about enslaved Africans from 400 years ago as living, breathing people. I think that he touches on that by modeling the figures after his friends and family.”

Hayes said the lack of education he received in school about this topic inspired his work. He also wants to bring attention to sweatshops in other countries.

“It’s about the transfer of goods in the past and present,” Hayes said. “I was inspired by not learning much about the transport of people as a commodity in school. I wanted to tie it to today and how the transport of goods still exists. The pallet represents how we outsource our goods to third-world countries and sweatshops and places that don’t have labor laws.”

Hayes said another goal of the exhibit is to allow viewers to have the physical space to fully experience the art. 

“It’s history, and it’s also talking about today,” Hayes said. “That’s why it's important for this exhibit — it’s current. It allows people to walk through this room and see and touch these things, and it gives a whole different meaning to what art can do.”

Kathryn Wagner, associate director for Arts Everywhere UNC, said she hopes the exhibit will provoke thought and reflection. 

“I hope that it opens up some doors for conversation,” she said. “Conversation about the anniversary of 1619 and the origins of slavery here in America. I’m hoping that people can view the art and be moved or inspired in some way, but I really hope it kind of spurs the community to think about considering and advocating for the way that slavery is still present in our society.”

But Wagner said art is meant to be experienced in unique ways.

“It's hard to project out what other people will take away from it,” she said. “I think that’s one of the really wonderful things about dance and theatre and art and music — that we all get to engage and experience these things, but they are all so personal.”

The exhibits run through mid-November.


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